Paul Krugfman, Contrarian, Janaury 2025 - As many people reading this know, last month I retired from my position as an opinion writer at the New York Times—a job I had done for 25 years. Despite the encomiums issued by the Times, it was not a happy departure. If you check out my Substack, you will see that I have by no means run out of energy or topics to write about. But from my perspective, the nature of my relationship with the Times had degenerated to a point where I couldn’t stay....
During my first 24 years at the Times, from 2000 to 2024, I faced very few editorial constraints on how and what I wrote. For most of that period my draft would go straight to a copy editor, who would sometimes suggest that I make some changes — for example, softening an assertion that arguably went beyond provable facts, or redrafting a passage the editor didn’t quite understand, and which readers probably wouldn’t either. But the editing was very light; over the years several copy editors jokingly complained that I wasn’t giving them anything to do, because I came in at length, with clean writing and with back-up for all factual assertions....
So I was dismayed to find out this past year, when the current Times editors and I began to discuss our differences, that current management and top editors appear to have been completely unaware of this important bit of the paper’s history and my role in it...
In September 2024 my newsletter was suddenly suspended by the Times. The only reason I was given was “a problem of cadence”: according to the Times, I was writing too often. I don’t know why this was considered a problem, since my newsletter was never intended to be published as part of the regular paper. Moreover, it had proved to be popular with a number of readers.
Also in 2024, the editing of my regular columns went from light touch to extremely intrusive. I went from one level of editing to three, with an immediate editor and his superior both weighing in on the column, and sometimes doing substantial rewrites before it went to copy. These rewrites almost invariably involved toning down, introducing unnecessary qualifiers, and, as I saw it, false equivalence. I would rewrite the rewrites to restore the essence of my original argument. But as I told Charles Kaiser, I began to feel that I was putting more effort—especially emotional energy—into fixing editorial damage than I was into writing the original articles. And the end result of the back and forth often felt flat and colorless. More
No comments:
Post a Comment