From our overstocked archives
Sam Smith, 2012 - More often than should be the case, I get distracted by Google and start
looking into something or someone who just happens to cross my mind.
Most recently it was Jocko Henderson.
By the late fifties, the hounds of change were on radio's traces. Television was seizing for itself the stories, the vaudeville and the sense of being there that had been the heart of radio. And into the void was moving a new kind of music called rock 'n' roll.
To be sure rock 'n' roll already existed, but it was known as "rhythm 'n' blues" or "R&B." In the jargon of white broadcasters, it was "race music," although some white teenagers, myself included, listened almost surreptitiously to stations like Philadelphia's WDAS, where DJ Jocko Henderson proto-rapped:
By the late fifties, the hounds of change were on radio's traces. Television was seizing for itself the stories, the vaudeville and the sense of being there that had been the heart of radio. And into the void was moving a new kind of music called rock 'n' roll.
To be sure rock 'n' roll already existed, but it was known as "rhythm 'n' blues" or "R&B." In the jargon of white broadcasters, it was "race music," although some white teenagers, myself included, listened almost surreptitiously to stations like Philadelphia's WDAS, where DJ Jocko Henderson proto-rapped:
Get a little cash from out of your stash,
And make like a flash in the hundred yard dash
Right down to my man John Kohler at 4th & Arch
And tell him Jocko sent you!
Years later Jocko Henderson would be recognized as one of
the fathers of rap and hip hop.
The Silhouettes - Douglas "Jocko" Henderson, "The Ace from Outer Space", was a pioneering radio broadcaster whose career spanned five decades.
Born in Baltimore in 1918, Jocko began his broadcasting career in 1952 on radio station WSID. The next year he moved to WHAT in Philadelphia, adopted his enduring nickname, and a few months later went to WDAS, developing a rhyming style of delivery that can be seen as a forerunner of many later rap artists.
"This is your ace... from outer space... not the duplicator... not the imitator... not the impersonator... but the originator!"
Jocko played rhythm and blues music - with no station-imposed playlist - and his Rocket Ship Show was immensely popular. As his fame spread he did shows that aired in Boston, Detroit, Washington DC, St Louis and Miami, and at one time regularly did a daytime show in Philadelphia and an evening one in New York.
Jocko Henderson died aged 82 in July 2000.
The Silhouettes - Douglas "Jocko" Henderson, "The Ace from Outer Space", was a pioneering radio broadcaster whose career spanned five decades.
Born in Baltimore in 1918, Jocko began his broadcasting career in 1952 on radio station WSID. The next year he moved to WHAT in Philadelphia, adopted his enduring nickname, and a few months later went to WDAS, developing a rhyming style of delivery that can be seen as a forerunner of many later rap artists.
"This is your ace... from outer space... not the duplicator... not the imitator... not the impersonator... but the originator!"
Jocko played rhythm and blues music - with no station-imposed playlist - and his Rocket Ship Show was immensely popular. As his fame spread he did shows that aired in Boston, Detroit, Washington DC, St Louis and Miami, and at one time regularly did a daytime show in Philadelphia and an evening one in New York.
Jocko Henderson died aged 82 in July 2000.
Broadcast Pioneers - "Hello, Daddy-O and Mommy-O,
This is Jocko" was all the rage in Philadelphia and later in New York
City. His thing was rhyming words like, "eee-tiddlee-yock, this is the
Jock," or "oo-papa-doo, how do you do." While not the first to
do this, it worked. Word has it that his fan club numbered 50,000 people at one
time.
...After running unsuccessfully for the United States Congress in the Second District in 1978, he spent much of his efforts promoting his "Get Ready" program for school districts around the country. Jocko made records of himself teaching our youth everything from math to American history with rap lyrics.
In August of 2001, we received an e-mail from Raymond Witter of Great Britain. He writes in part:
...After running unsuccessfully for the United States Congress in the Second District in 1978, he spent much of his efforts promoting his "Get Ready" program for school districts around the country. Jocko made records of himself teaching our youth everything from math to American history with rap lyrics.
In August of 2001, we received an e-mail from Raymond Witter of Great Britain. He writes in part:
I'm from England. I'm England's first rapper, the original English rapper. The first rap that reached England was 'rapper's delight' then 'christmas rapping' then 'rhythm talk' by Jocko.... All I remember is the bits you quoted plus 'I'm the middleweight champ at 163, you've gotta be bad to hang with me'.
A
visitor to our website identified as Professor D, e-mailed:
I can still here him saying, and me hanging on his every word, "HICKORY DICKORY DOCK; THE MOUSE RAN UP THE CLOCK BUT AT 12 05 TO HIS RADIO HE DIVED AND SAID.LET'S RETURN TO THE JOCK."
1 comment:
I never heard of Jock Henderson as a progenitor of rap, so thanks for the fascinating article and the link as well, Sam.
Coincidentally, just a few days ago, reading the Wikipedia item on Pigmeat Markham, I found this TheAustralian.com.au November 3, 2011 article, "Reasons Rhyme for a History Under Raps," ( http://www.theaustralian.com.au/arts/books/reasons-rhyme-for-a-history-under-raps/story-e6frg8nf-1226011610605 ) a kind of book review/feature article on a Yale University scholarly anthology volume about the history of rap music. That "Australian" 2011 article was linked from note 10 in the Wikipedia Pigmeat Markham entry. That footnote referred to a single sentence in that Wikipedia/Pigmeat Markham entry referring to Pigmeat as "a progenitor of rap"; the mention of Pigmeat as a rap progentor in "The Australian" article also held that Gil Scott-Heron was one as well. Apparently, Pigmeat's contrbution to rap is considered to be his fabled 1964 signature recording, "Heyeah Come Da Judge" (easily found on YouTube).
The "Austraiian" article also quotes Henry Louis Gates as asserting in the Yale rap anthology that his father "rapped" and called it "signifying" or "playing the Dozens." Another part of the Yale anthology, according to "The Australian" holds that rap is ultimately traceable "to West African 'griots' -storyteller troubadours."
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