CBC, CA - While traditional book and magazine publishers struggle to stay afloat, research publishing houses have typical profit margins of nearly 40 per cent, says Vincent Larivière, a researcher at the University of Montreal's School of Library and Information Science.
Researchers rely on journals to keep up with the developments in their field. Most of the time, they access the journals online through subscriptions purchased by university libraries. But universities are having a hard time affording the soaring subscriptions, which are bundled so that universities effectively must pay for hundreds of journals they don't want in order to get the ones they do.
Larivière says the cost of the University of Montreal's journal subscriptions is now more than $7 million a year – ultimately paid for by the taxpayers and students who fund most of the university's budget. Unable to afford the annual increases, the university has started cutting subscriptions, angering researchers.
"The big problem is that libraries or institutions that produce knowledge don't have the budget anymore to pay for [access to] what they produce," Larivière said.
"They could have closed one library a year to continue to pay for the journals, but then in twenty-something years, we would have had no libraries anymore, and we would still be stuck with having to pay the annual increase in subscriptions."
Given the situation, he wanted to track what proportion of papers was being published by these large academic publishers compared to in the past (and how big a deal it would be to cut some of those subscriptions.) 'Oligarchy' of publishers
What he and his collaborators found was that the five largest, for-profit academic publishers now publish 53 per cent of scientific papers in the natural and medical sciences – up from 20 per cent in 1973. In the social sciences, the top five publishers publish 70 per cent of papers.
Essentially, they've become an oligarchy, Larivière and co-authors Stefanie Haustein and Philippe Mongeon say in a paper published last week in the open access, non-profit journal PLOS ONE.
1 comment:
Aaron Swartz' requiem.
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